Chester Himes file obtained under provisions of the Freedom of Information Act. The Cultural Cold War: The CIA and the World of Arts and Letters. Alien Ink: The FBI’s War on Freedom of Expression. Chapel Hill: U of North Carolina P, 2003. Left of the Color Line: Race, Radicalism, and Twentieth-Century Literature of the United States. Dangerous Dossiers: Exposing the Secret War Against Americas Greatest Authors. Lily Library, Indiana University, Bloomington. Mullen and James Smethurst, eds., Chapel Hill: U of North Carolina P, 2003. Eyes: The Bureau Reads Claude McKay,” in Left of the Color Line: Race, Radicalism, and Twentieth-Century Literature of the United States, Bill V. “Seeing Red”: Federal Campaigns Against Black Militancy, 1919–1925.
Edgar Hoover’s FBI Surveillance of American Sociology. Stalking the Sociological Imagination: J. The Black Atlantic: Modernity and Double Consciousness. Discipline and Punish: The Birth of the Prison. “Counter-Intelligence: Cold-War Criticism and Eighteenth-Century Studies.” ELH 57, 1 (Spring 1990): 63–99.įoucault, Michel. Cambridge: Harvard U P, 2003.Įpstein, William H. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. New York: Palgrave Macmillan, 2004.Įdwards, Brent Hayes. Edgar Hoover’s Manipulation of Modernism. “I Heard it Through the Grapevine.” Ganta 73 (Spring 2001): 151–82.Ĭulleton, Claire A. Exiled in Paris: Richard Wright, James Baldwin, Samuel Beckett, and Others on the Left Bank. Stanford: Stanford U P, 1993.Ĭampbell, James. Sovereignty and Intelligence: Spying and Court Culture in the English Renaissance. Chicago: U of Chicago P, 2005.Īrcher, John Michael. accessed on December 2, 2004.Īgamben, Giorgio. “ACLU Says FBI Spying on Religious, Protest Groups.” Reuters December 2, 2004. This process is experimental and the keywords may be updated as the learning algorithm improves. These keywords were added by machine and not by the authors. Edgar Hoover’s Federal Bureau of Investigation surveyed and stirred up their work. Well before the Freedom of Information Act (FOIA) allowed access to scores of formerly secret FBI files on Afro-modernist writers, these writers themselves contemplated how J.
Even so, concern with the effects of federal surveillance on African American expression is hardly a unique product of the short, edgy twenty-first century. The present thus qualifies as a dramatically appropriate moment in which to inspect the historical links between American state sleuthing and African American speech. Disclosures of Pentagon eavesdropping on domestic peace groups have been followed by news of warrantless wiretapping by the National Security Agency (NSA) and the FBI’s use of tens of thousands of “national security letters” to monitor the private communications of American citizens since the passage of the 2001 PATRIOT Act (ACLU Says). Since the winter of 2004, a parade of leaks and reluctant document dumps has sparked unease and controversy over revived political spying by the U.S.
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